| PREFACE |
v
|
| FORWARD |
vii
|
| ACKNOWLEDGEMENTS |
ix
|
| JANICE DRAKICH The Genesis |
xiii
|
| ED KOVARIK Choices: A Personal Note |
xvii
|
| THE CONCERT |
1
|
| PHILIP ADAMSON Barbara Pentland Concerto |
3
|
| THORA DUBOIS Barbara Pentland: Biographical Sketch And Evolution of Her Style As Reflected In Her Piano Works |
5
|
| THE PAPERS |
15
|
| RAMONA LUMPKIN Introduction |
17
|
| PANEL ONE – THE OTHR SIDE OF SILENCE: ISSUES IN WOMEN'S MUSIC |
21
|
| VIRGINIA CAPUTO Silent Canons: Places For Music By Women |
23
|
| MARIE-THÉRESE LEFEBVRE The Emergence of A New Reality For Quebec Women Composers |
35
|
| GERALDINE FINN The Power of (De) Composition: The (De) Composition of Power |
41
|
| ELAINE KEILLOR Are We Really 'Minorish?' |
61
|