In November 2010, Johanna Skibsrud’s novel The Sentimentalists was announced as the winner of the Giller Prize, which promptly embroiled the work, its author, and its publishers in a clash between different modes of book publishing.
“The novel’s publication as a limited-run book from a small press, then as an e-book, then as a mass-market paperback sparked public interest in the kinds of questions usually asked by bibliographers,” says Alan Galey.