B.A. (Hons.), (Toronto), M.A., Ph.D. (Distinction), (York)
CHN Rm 2103
519 253 3000 ext. 2310
- contemporary literature
- Canadian literature
- creative writing
Karl Jirgens is a specialist in literary theory, contemporary literature with a focus on Canadian literature, and creative writing and publishing. He has served as Head of the English Department at the University of Windsor. He is the author of Bill Bissett and His Works (ECW), Christopher Dewdney and His Works (ECW), Strappado (Coach House Press), and A Measure of Time(Mercury Press) and has edited a book on Canadian painter, Jack Bush (Coach House) and another on poet, Christopher Dewdney (Wilfrid Laurier University Press). His scholarly articles on postmodern/ postcolonial literature appear in international journals such as La Revista Canaria de Etudio Ingleses (Spain), Q/W/E/R/T/Y (France), Open Letter (Canada), and World Literature Today(USA).
He wrote the entry on Jacques Lacan for the Dictionary of Literary Biography edition on Twentieth Century European Cultural Theorists. His fiction and poetry appear in Canadian journals such as The Tamarack Review, Only Paper Today, Impulse, Descant, The Journal of Canadian Fiction, Inter, Filling Station, and internationally in The Ontario Review (USA), Tyuonyi (USA), UNIverse (Germany), Essex (USA), the International Symposia of Concrete & Visual Poetry (Australia), and Offerte Speciale (Italy), among others. His fictional works have been anthologized by Coach House Press, Black Moss Press, and Mercury Press. Jirgens is a grand-master of the martial art of Tae Kwon Do. His theatre/performance works have been presented nationally and internationally including at the Ultimatum Fest in Montreal and at the INTER-Festival in Quebec City. Karl Jirgens has edited Rampike, the international literary journal of post-modern art and writing, since 1979.
2014-2015 Edited, FOUR ISSUES of Rampike magazine (two issues per year): Vol. 23.1, (published) – 80 pp. Vol. 23.2, (published) – 80 pp. Vol. 22.1, (published) – 80 pp. Vol. 21.1, (published) – 80 pp. Vol. 24.1 (at the press) – 80 pp. ISSN #: 0711-7647 Funded by the Canada Council for the Arts.
Jirgens, Karl. “Medium as messenger: Amin Rehman’s typographic interventions.” In Amin Rehman: A is For. Co-published by Articite Gallery Windsor, and McIntosh Gallery University of Western Ontario. 2014. pp. 17-23. 2015. ISBN: 978-0-9696562-1-0. Funded by the Canada Council for the Arts. [print].
Jirgens, Karl. “Digital Mediations: Janet Cardiff and George Büres Miller’s Schizo-Phenomenologies.” Wi: Journal of Mobile Media. Vol. 9, #1, 2015. http://wi.mobilities.ca/karl-jirgens-digital-mediations-janet-cardiff-an... [WEB].
Jirgens, Karl. “Beckett and Beyond: Ergodic Texts, the Neo-Baroque, and Intermedia Performance as Social Sculpture” pp. 63 – 78 (in New Literary Hybrids in the Age of Multimedia Expression: Crossing Borders, crossing genres. Marcel Cornis-Pope, Editor. Amsterdam: John Benjamins Publishing Co. 2014. ISBN 978-90-272-3463-6. [published]
Jirgens, Karl, "Language and Interdisciplinarity: (Re-)contextualizing Nicole Brossard’s Picture Theory. In Scholarly Anthology, Trans/Acting Culture, Writing, and Memory: Essays in Honour of Barbara Godard, pp. 59-76., Wilfrid Laurier University Press, 2013, Editor(s) - Eva Karpinski, Jennifer Henderson, Ian Sowton, & Ray Ellenwood., 10,000 word essay. ISBN13: 978-1-55458-839-8 [published].
Jirgens, Karl. “Medium as messenger: Amin Rehman’s typographic interventions.” pp. 17-23. In Amin Rehman: A is For. Co-published by Articite Gallery Windsor, and McIntosh Gallery University of Western Ontario. 2014. ISBN: 978-0-9696562-1-0. Funded by the Canada Council for the Arts. [published].
Jirgens, Karl. “Digital Mediations: Janet Cardiff and George Büres Miller’s Schizo-Phenomenologies.” Wi: Journal of Mobile Media. Vol. 9, #1, 2015. http://wi.mobilities.ca/karl-jirgens-digital-mediations-janet-cardiff-an... [published].
“Fluid Mechanics: Cold Vodka: Cold Blood.” In Fiction International (U.S.A.). Edited by Hal Jaffe. [forthcoming].
“Unspoken Odyssey.” In Alecart (Romania) edited by Liana Vrajitoru Andreasen. [published, on-line, p. 134]. http://issuu.com/alecartiai/docs/webalecart14
“A Dialectic Poem in the Making”. Flat Singles Press [published, on-line: Apr. 13, 2015]
Scholarly Conference Presentations
Nov. 6, 2014. Brock University. “Digitally Speaking: Developments in Electronically Enhanced, Language-Based, Inter-Media Performance.” [completed].
June 4th, 2015. Concordia University. "Digital Mediations: Temporal phenomenologies of Janet Cardiff and George Büres Miller’s interactive walking tours, as archival events." [completed].
Live Theatre Productions
No Great Mischief. Executive Producer of stage adaption of play by David Young on Alistair MacLeod’s novel No Great Mischief. In cooperation with the University of Windsor School of Drama. Feb. 27, Feb. 28, and Mar. 1, 2014. Jackman Theatre, University of Windsor.
BookFest Windsor – “26 Reasons to Wear a Hat” – Theatrical Inter-media Performance featuring Theatre Arachnid Group. Artcite Gallery, Windsor. Oct. 24th, 2014. [completed]
Professional Publisher’s Presentation and Round Table
BookFest Windsor, Capital Theatre, Windsor, Ontario. Coordinator and Host for presentations and roundtable featuring 5 publishers and 5 nationally recognized authors